CRW 240 Fiction Writing II (Lecture) - JoAnna Novak
“Write a short story every week," Ray Bradbury advises, noting "It's not possible to write 52 bad short stories in a row.” In this workshop, we'll practice writing stories of all shapes and sizes, from flash fiction to novella-length. Along the way, we'll read work by a wide range of classic, counterculture, and contemporary practitioners of this form, including Fleur Jaeggy, Leonora Carrington, George Saunders, Jamel Brinkley, Dorthe Nors, Sofia Samatar, and more.
CRW 241 Poetry Writing II: Oddysey (Online) - Johnny Payne
Haven’t yet used Google cardboard or worked in 3D? Now is your chance. A significant dimension of this long-form poetry course takes place in virtual reality. We will first read Homer’s Odyssey in a sterling translation by Stephen Mitchell, followed by the book-length poems The California Poem and Olio. Then you’ll undertake a journey, in stages throughout the semester, tracking Odysseus’s route. On the islands of Calypso and Circe, in the underworld, and back in Ithaka, you will be asked to experience his voyage, and along the way be assigned poetic writing tasks. This adventure will lead us to write a lot of long and short poetry while examining the ideas of heroic and lyric, and the place of both in modern poetry. You will be oriented in class to navigate Odyssey, so no reason to stress. It's fun. No previous poetry writing experience assumed.
CRW 248 ST Cultural Criticism (Online) – JoAnna Novak
“All criticism is based on that equation: knowledge + taste = meaningful judgment,” writes Daniel Mendelsohn in The New Yorker. What factors influence this equation in the era of the twenty-four hour news cycle, in a world where anyone can pen a Yelp! review? In this course, we'll explore what it means to be a cultural critic in the twenty-first century. Looking at examples including film, television, art, food, and drama criticism, we'll consider the tradition of “meaningful judgment,” practice developing “knowledge” + “taste” of our own, and learn how to pitch work to editorial and journalistic outlets.
CRW 296 Thesis (Online) – JoAnna Novak
Required for completion of the degree is submission of a publication-ready, 100-page manuscript in one genre-fiction, creative non-fiction, screen play or teleplay, or 50 pages of poetry - closely reviewed, edited and refined with the assistance of the student's Thesis Committee.
CRW 297A Thesis Continuation (Online) - Johnny Payne
Students who need a little more time to finish their theses may register for up to 4 additional one-units.